Daniel Calderwood
Fifteen plywood sheets lean stacked against a fence. The compression of boundaries produces a clean image. You are drawn to a certain arrangement, and it would have happened whether you wanted it or not. Both options are insufficient and neither explain it. You can retrain your neural pathways, to a point. You can erase to a point and call it new.
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Brooklyn, NY
Standard Issue, 2019–present; Artsy, 2017–2019; Wolff Olins, 2014–2017; BFA, Maryland Institute College of Art
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